Music Hall of Williamsburg
The Olivia Tremor Control

Part of Northside Festival

The Olivia Tremor Control

Laura Stevenson and the Cans, Dinosaur Feathers

Sat, June 16, 2012

Doors: 8:00 pm / Show: 9:00 pm

Music Hall of Williamsburg

Brooklyn, NY

$20

This event is 18 and over

The Olivia Tremor Control
The Olivia Tremor Control
The Olivia Tremor Control was an Athens, Georgia, USA psychedelic rock band in the mid- to late 1990s which, along with The Apples in Stereo and Neutral Milk Hotel, was one of the three original Elephant 6 projects. The band was founded by the remnants of the group Synthetic Flying Machine (Jeff Mangum, Bill Doss, and Will Cullen Hart) in 1994 and disbanded in early 2000. The band reunited in 2009

The band’s distinct sound is a mixture of Doss and Hart’s experimental tendencies. This chemistry is evident in their albums given that some tracks are 2-3 minute pop songs, while others are electro-acoustic collages ranging in length from 2 seconds to 10 minutes, and differing in content from vibrant horns to near silence. Furthermore, the band released a record of experimental electro-acoustic music, The Late Music, Volume One, under the name The Black Swan Network, in 1997. Another Black Swan Network release, a 7” EP on the Happy Happy Birthday to Me label, appeared in 2000, though it did not feature Bill Doss. In October 1997, a “collaborative” LP between The Olivia Tremor Control and The Black Swan Network was released, originally as a tour-only item, and later put out as a CD by Flydaddy, which gave the record the title, The Olivia Tremor Control Vs. The Black Swan Network,’ though the band had never wanted the record to be named as such. The band was influenced by the odd quality inherent in dreams and asked their listeners to send in tapes describing their own, examples of which can be heard in the final track of Black Foliage and the OTC-BSN collaborative LP.

The members of The Olivia Tremor Control embarked on a variety of different projects before and after the band broke up. Eric Harris released a record under the name Frosted Ambassador and later two CD-R releases under his own name on Cloud Recordings, the label founded by Fernandes and Hart in the wake of OTC’s demise. Pete Erchick released two records, Individualized Shirts and Special Fanfare For Anything, under the name Pipes You See, Pipes You Don’t. Bill Doss followed OTC by putting out records as The Sunshine Fix, a name he had used years before. The Sunshine Fix has evolved from a recording project to a formal working band. Hart’s post-OTC project, Circulatory System, has taken a similar route. The self-titled 2001 LP continued the melding together of pop and experimental traditions the OTC had worked on and won high accolades from the press. While the follow-up is still in the works, the band continues to play live shows in Athens and occasionally elsewhere.

In 2005, the Olivia Tremor Control temporarily reunited, solely for live shows, at the behest of the All Tomorrow’s Parties festival. They appeared at a UK version of the festival, preceded by warm-up shows in Athens and London; that summer, they again played Athens, at the Orange Twin Conservation Community, as well as gigs in New York, Chicago, San Francisco, and L.A.

In May 2009, Will Hart said in an interview that the band had recently re-entered the recording studio: “We’ve got two songs for the next Olivia record, in my opinion. They’re on Bill’s hard drive.”

In March 2011, Elf Power drummer Derek Almstead confirmed that he was engineering and playing percussion on the new record and that new material would be debuted at All Tomorrows’ Parties later in the year. In addition to this, they have released a song titled “North Term Reality” under Olivia Tremor Control for AUX Vol. 2.

On August 30, 2011, the band premiered a new song, “The Game You Play is In Your Head Parts 1, 2 &3” and announced they planned to have a new album out later in 2011. Tour dates for Winter 2011 were also announced.
Laura Stevenson and the Cans
Laura Stevenson and the Cans
Laura Stevenson was schooled in the traditional music of her grandfather and grandmother (composer of "The Little Drummer Boy" and vocalist for the Benny Goodman Orchestra respectively) from an early age. It wasn't until she started performing with Bomb The Music Industry in her teens, that she began writing on her own. Privately crafting songs on the softer side of indie rock and traditional folk, Stevenson was soon tapped as the band's opener and, with the addition of Mike Campbell and Alex Billig in 2007, Laura Stevenson and the Cans solidified. Their live band grew into a quintet, often times swelling to eight members, and the following debut LP, A Record, won them fans far and wide having been downloaded over 25,000 time since it's 2008 release.

Sit Resist, an album centered around never sitting stagnant, sees a matured band that has been continuously at work writing, arranging and touring for the past three years. Lyrically, Stevenson's pen has a sharp, poetic tone, making it impossible not to be taken in by her stories. Where A Record crackled with Stevenson's intimate voice alongside gentle acoustics, begging the listener nearer, Sit Resist commands the attention of all within earshot with its rich instrumentation and textured melodies.

Over the course of the album's thirteen songs, you'll hear the band weld a variety of musical styles that dreamily caress and nurture one another into a wholly unique rendering of Americana. "Master of Art" with its Phil Spector-esque, girl-group tease of an intro, explodes with the energy of Stevenson's voice - an instrument that is as strong as it is lovely. "Caretaker" conjures up ghosts and memories of homes inevitably / regrettably left behind. You'll find major-key resolution in the juxtaposed tale that is "The Healthy One," and "I See Dark" waltzes you, dear listener, into the lonely night, hand-in-hand.

The overall effect achieved by Laura Stevenson & the Cans is an album that's as invigorating and life-affirming as it is quietly emotional and delicate. This is an intelligent, literate album crafted of fragments of fleeting memories of time and place, yet it manages to convey volumes. Sit Resist is a true piece of art! Out now on Don Giovanni Records.
Dinosaur Feathers
Dinosaur Feathers
Why did the indie rock band Dinosaur Feathers name a song after Vendela Vida? - The New Yorker

One of the year’s quirkiest and most charming debut albums in Fantasy Memorial, a garage-sale jumble of styles anchored by sinisterly effective pop melodies. - The New York Times

(Dinosaur Feathers) use their voices like instruments, stacking and weaving them into a textured sonic tapestry that drips with 60s nostalgia. - PASTE

Captures the incredibly catchy world sound of Vampire Weekend with the tropical warmth of the Beach Boys. - MAGNET

Dinosaur Feathers delivers skewed yet joyous avant-pop that nods to Animal Collective and Dirty Projectors. - TimeOut NY
Venue Information:
Music Hall of Williamsburg
66 North 6th St
Brooklyn, NY, 11249
http://www.musichallofwilliamsburg.com/