Music Hall of Williamsburg
Amen Dunes

Amen Dunes

MIKE

Sat, March 31, 2018

Doors: 8:00 pm / Show: 9:00 pm

Music Hall of Williamsburg

Brooklyn, NY

$20

This event is 18 and over

Amen Dunes
Amen Dunes
With every record, Damon McMahon aka Amen Dunes has transformed, and Freedom is the project’s boldest leap yet.

The first LP, D.I.A., was a gnarled underground classic, recorded and played completely by McMahon in a trailer in upstate New York over the course of a month and left as is. The fourth and most recent LP Love, a record that enlisted Godspeed! You Black Emperor as both producers and backing band (along with an additional motley crew including Elias Bender Rønnenfelt of Iceage and Colin Stetson), featured songs confidently far removed from the damaged drug pop of Amen Dunes’ trailer-park origins.

Love took two years to make. Freedom took three. The first iteration of the album was recorded in 2016 following a year of writing in Lisbon and NYC, but it was scrapped completely. Uncertain how to move forward, McMahon brought in a powerful set of collaborators and old friends, and began anew. Along with his core band members, including Parker Kindred (Antony & The Johnsons, Jeff Buckley) on drums, came Chris Coady (Beach House) as producer and Delicate Steve on guitars. This is the first Amen Dunes record that looks back to the electronic influences of McMahon’s youth with the aid of revered underground musician Panoram from Rome. McMahon discovered Panoram’s music in a shop in London and became enamored. Following this the two became friends and here Panoram finds his place as a significant, if subtle, contributor to the record.

The bulk of the songs were recorded at the famed Electric Lady Studios in NYC (home of Jimi Hendrix, AC/DC, D’Angelo), and finished at the similarly legendary Sunset Sound in L.A., where McMahon, Nick Zinner, and session bass player extraordinaire Gus Seyffert (Beck, Bedouine) fleshed out the recordings.

On the surface, Freedom is a reflection on growing up, childhood friends who ended up in prison or worse, male identity, McMahon’s father, and his mother, who was diagnosed with terminal cancer at the beginning of recording.

The characters that populate the musical world of Freedom are a colourful mix of reality and fantasy: father and mother, Amen Dunes, teenage glue addicts and Parisian drug dealers, ghosts above the plains, fallen surf heroes, vampires, thugs from Naples and thugs from Houston, the emperor of Rome, Jews, Jesus, Tashtego, Perseus, even McMahon himself. Each character portrait is a representation of McMahon, of masculinity, and of his past.

Yet, if anything, these 11 songs are a relinquishing of all of them through exposition; a gradual reorientation of being away from the acquired definitions of self we all cling to and towards something closer to what's stated in the Agnes Martin quote that opens the record, “I don’t have any ideas myself; I have a vacant mind” and in the swirling, pitched down utterances of “That's all not me” that close it.

The themes are darker than on previous Amen Dunes albums, but it’s a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable. The combination of a powerhouse rhythm section, Delicate Steve’s guitar prowess filtered through Amen Dunes heft, and Panoram’s electronic production background, makes for a special and unique NYC street record.

It’s a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. ‘Blue Rose’ and ‘Calling Paul the Suffering’ are pure, ecstatic dance songs. ‘Skipping School’ and ‘Miki Dora’ are incantations of a mythical heroic maleness and its illusions. ‘Freedom’ and ‘Believe’ offer a street tough’s future-gospel exhalation, and the funk-grime grit of ‘L.A.’ closes the album, projecting a musical hint of things to come.
MIKE
MIKE
At just 18, MIKE's music carries age beyond his years. Born in New Jersey, MIKE moved to London with his mother before settling in The Bronx for the remainder of his later teenage years. Both regions have had an audible influence on the young rapper's music - in England he was immersed in grime and the music of King Krule, and in the United States he was turned on to Earl Sweatshirt and MF Doom. In New York, he discovered several artists with a similar ear and style, and formed his collective [sLUms]. Consisting of sixpress, dj ???, King Carter, Jazz Jodi, and DJ Mason, the group is a diverse range of producers and rappers who each make music about the tribulations of coming of age and being black in New York City.

Through his mixtapes Winter New York and Longest Day, Shortest Night, MIKE started to tell the story of his childhood, and with his most recent mixtape May God Bless Your Hustle he made a definitive statement on the current state of youth in New York. That project turned heads outside of MIKE's immediate community in the city, earning praise from The FADER and the New Yorker, and being selected as Best New Music by Pitchfork. Themes about the depression and anxiety that accompany being young and African American abound throughout MIKE's music, but a muted sense of hopefulness and certainty that he is moving towards ultimate triumph is the motor quietly propelling things forward.

His latest EP, By The Water, finds MIKE preparing to return to London after a summer that saw him establish himself as one of the most important young voices coming out of New York. On the new EP, released via House Anxiety, MIKE reflects on recent events in his life and also contemplates what comes next over soulfully hazy production. As he gets ready to move to London with several of his [sLUms] brothers, By The Water is the latest chapter in the captivating story MIKE is telling about his life.
Venue Information:
Music Hall of Williamsburg
66 North 6th St
Brooklyn, NY, 11249
http://www.musichallofwilliamsburg.com/
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