Music Hall of Williamsburg
Cass McCombs

Cass McCombs

Endless Boogie

Thu, May 22, 2014

Doors: 8:00 pm / Show: 9:00 pm

Music Hall of Williamsburg

Brooklyn, NY

$16 advance / $18 day of show

This event is 18 and over

Cass McCombs
Cass McCombs
Cass McCombs is an American musician who has released seven albums and one EP since 2002.

During the 1990’s, McCombs played in countless bands at various DIY spaces in the Bay Area and the Pacific Northwest until he relocated to New York. In 2002, he released his debut, Not The Way EP, on independent Baltimore label Monitor Records. On his first trip to Europe in 2003, he recorded a Peel Session for John Peel, who described McCombs’ music as “unobtrusively brilliant”. In 2003, McCombs released his first album, A, and that year toured with Baltimore’s The Oxes as his backing band. In 2004, he performed at the UK’s All Tomorrow’s Parties and in 2005 released his second album PREfection on Monitor Records in the US and 4AD in Europe. In 2005 he toured with Modest Mouse. In 2007, Dropping the Writ was released on Domino Records and McCombs toured with Ariel Pink’s Haunted Graffiti. Domino Records would release his next four albums: Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork; Wit’s End (2011); Humor Risk (2011), Big Wheel and Others (2013).

In 2012, McCombs toured with John Cale and performed at Occupy Sandy, a benefit for the storm’s victims. That same year, McCombs premiered his song, “Bradley Manning” on the Democracy Now News Hour.
Endless Boogie
Endless Boogie
Outta the gate I gotta say writin' about a release called 'Full House Head' & failin to mention J Geils Band is harder than findin' a white bean in a black cat's ass. Not that I got anything against 'em, hell, the ex-Mr. Faye Dunaway had that ass whoopin' comin' from me in Louisville back 'round 75. And like I told Seth Justman that night too "I got a Hotline for ya, shorty; my fist up side your head". Think It Over indeed, my little Beantown bud.

And while we's is on the subject of a thumpin', how about this new knockout from Endless Boogie what's called 'Full House Head'? It's done got me all riled up! Over the course of more than a decade long career I've watched this bunch morph from mutant hominid bar choogle to luxuriating' in fissions that split open a portal what connected Coloured Balls & Velvet Underground to now redefinin' what Rock IS in the 2nd decade of the 21st Century. The production's spiffier, the rhythm's cagier, the solo's sharper & the singin, witchier. It's comfort y'all, the comfort to rock it both languorously & intricately. This zone is short of pretense & long in talent. Given the breadth of the excellence what's passed through afore, you might spin this & hear everything from Patto note moaners & Groundhogs riffage, to Seeds-like chatter or even goddamn 'Exile era Stones texturalization. But it ain't none of that, cause it can't be. The future is always steeped in the past & originality is invested in those who don't dial it in. And Endless Boogie most certainly walk it like they rock it. This may be called. Full House Head', but you can beat me with a corncob harmonica & call me Magic Dick if the contents therein ain't that of a Royal Flush Jam.
Venue Information:
Music Hall of Williamsburg
66 North 6th St
Brooklyn, NY, 11211
http://www.musichallofwilliamsburg.com/