It's no big secret that Brooklyn has been the home for some mighty happening music lately, but there are few bands with as unique a vibe and presence as Crystal Stilts. Their self-released single and 12" EP won them rave reviews everywhere from Pitchfork to Stereogum, and the blogoshpere has been humming about them for months. And now we are very proud to bring you Alight of Night, an album that more than delivers on the promise of those early singles. A remarkably graceful collision of such disparate references as The Velvet Underground, Red Crayola, Joy Division, The Pin Group and early Jesus & Mary Chain, Crystal Stilts' spectral avant-garage is both classic and totally new. It's dark and melodic, deep and yet somehow still "pop" at the same time. There is some serious sonic alchemy going on here, resulting in Alight of Night being one of the most interesting records we've heard in ages.
Crystal Stilts have created one of the most perfectly formed reconciliations of classic rock swagger and zoned dreampop." - The Wire
"If Crystal Stilts weren’t one of Brooklyn’s most hotly tipped exports before, there’s no doubt they will be now." - Exclaim
"...easily the most exhilarating rock 'n' roll record to emerge in 2008..." - Prefix
"These are weird pop songs you clap your hands along to. They pile a rockabilly riff and nursery school melodies onto a revved-up bass line and sweet surfy 60s organ riff on top of minimalist percussion."
- Pitchfork
"...one of the year's best albums..." - Brooklyn Vegan
"Quite simply, Alight Of Night is one of the most breathtaking records these ears have been partial to in a long while, and even if Crystal Stilts never make another record, their legacy is assured."
- Drowned In Sound
“it has that classic first ten Creation releases era sound mixed with a drummer raised on a diet of only Moe Tucker and laura from the shop assistants." - Rough Trade
"BlankDogs are actually singular: It's the insanely prolific one-man Brooklyn-based band of Mr. Blank Dog. We don't know too much about the biography of the guy behind the bedroom new-wave pop/punk and he's usually covering his face with masks or bedspreads, but that's fine. The aura of anonymity allows you to focus on the sounds -- and, really, he might be releasing a ton of things, but there's definitely a higher jam to crap ratio. It's like Joy Division vocal lines with the Cure's synth and guitar melodies filtered through ancient submerged keyboards and eroded recording equipment. And that voice? All the feedback in the world can't hide his knack for melody." -stereogum
The debut album by Women was recorded by label-mate Chad VanGaalen over 4 months on ghettoblasters and old tape machines in his basement, an outdoor culvert and a crawlspace. Sometimes light and spacious, at other times eerie and dense with an ominous weight, this self titled album touches upon Velvet Underground, The Zombies or This Heat while not really having any obvious precursors – a lo-fi masterpiece cloaked in layers of vibrato and guitar wash.
Friends since childhood - two of them brothers - the band has an intuitive rapport that seems to transcend speech from years of playing together. The members of Women have collectively toured North America and Europe in various projects. Members have played and toured as part of Chad VanGaalen's band, and two members moonlight with Absolutely Kosher artists Azeda Booth.
Naked On The Vague is Lucy (keys/vox/drum box) and Matthew (guitar/electronics). The duo hail from Sydney, Australia, bringing to the outside world their own brand of apocalyptic pop and dark psychedelic weirdness since 2005.... The Naked On The Vague approach meshes punk, industrial and psychedelic sounds all tinkered with a heavy dose of distortion and delay.
Silk Flowers play minimal, spooky, narcotic synth music that combines the dark-day electronic pop of early Depeche Mode with the cemetery-obsessed intensity of Samhain. Formed in New York in the summer of 2008, the band brought together Peter and Avi from Soiled Mattress and the Springs with Ethan of Car Clutch. Their forthcoming LP on Post Present Medium (run by Dean Spunt of No Age) comes out in June.