The Growlers
Sean Bones, Denney and the Jets
Thu, October 11, 2012
Doors: 8:00 pm / Show: 9:00 pm
Music Hall of Williamsburg
Brooklyn, NY
$15
Tickets
This event is 18 and over
http://www.musichallofwilliamsburg.com/event/149929/The Growlers

The growlers are a rock and pop group formed in long beach California in 2006 who are yet to became one of the most commercially successful and critically acclaimed bands in the history of popular music. During their years of stardom yet to come, the band consists of Brooks Nielsen (vocals) Scott Montoya(drums), Matt Taylor(lead guitar, vocals) and Kyle Straka (keyboards, guitars.) They were managed by their own alter ego Epstein until his death in 2009. Although their initial musical style was rooted in 1960s rock and roll and skiffle, the group works with different musical genres, ranging from ice flossing hip hop to psychedelic rock. Their clothes, style and statements have made them trend-setters. While their growing social awareness saw their influence extend into the social and cultural revolutions. During the release of their first album and their ongoing singles releases, they have experimented with recording techniques that have the ability to bend sound in ways only drugs can. By now this "bent sound" has been perfected in their live act that some onlookers call "groovy" and or "sick". The groovy unexcelled value in Lo fidelity sound is their stock and trade. They are the result of a combination of skilled modern engineering techniques and the very finest outdated recording and amplified equipment. The Growlers sound is best exemplified through Nielsen's cryptic lyrics and the relationship it has with matt Taylor. As if the two are each other's half. Though they complete each other, they compel and challenge one another in ways only the frequent growler fan can truly understand. Perhaps it is what the growler fan feels while taking part in the drug wave of bent sound. -ALEX KNOST
Sean Bones

Sean Bones' Buzzards Boy is one of an evolving artist setting out to test new waters only to find himself weathering a stylistic and emotional sea change. As with most second records, there's much to prove, but in the case of Buzzards Boy, Sean Bones transcends a varied stylistic past to reveal himself as an intriguing songwriter capable of truth and sonic spells.
On Buzzards Boy, Sean and his bandmates hooked up with a producer for the first time. Shane Stoneback was sought out for his uncanny recording methods (oil cans, toys amps) and his enthusiasm for the demos he was absorbing between his other name-brand projects (Fucked Up, Sleigh Bells, Cults) The sessions were brief and at some point during the week Bones resolved to taking on the rest of the project alone. Traveling between rehearsal spaces, bedrooms and eventually to the West Coast, he built an awesome second record from the foundation laid through this partnership.
The island he's trawling this time is darker and more lush. Tracks are swathed in reverby surf guitars and loose percussion. Its easy to imagine hearing this album out doors, at night. A full listen reveals a wide range of influences digested into something wholly Bones' own. "Tell Me Again" is a folky harmonium piece played over what sounds like the Miami Sound Machine. "Four Dub" explores open space and urgency. The sublime "Black Gold" starts with a scruffy hip hop beat until giving way to another one of those swoony boy-girl ballads that he's good at.
At the heart of Buzzards Boy is a romantic young man, worried about the world and checking himself for imagined damage. Somewhere in the storm came a renewed sense of purpose. Fittingly, the exuberant lead single "Here Now" was written last. Backed by Fool's Gold's Garrett Ray and Lewis Pesacov, the song brims with energy as an ecstatic Bones proclaims, "I'm here now, hold it down!." Whether he's here to remind himself or the rest of us doesn't matter - he track is his most confident and inspiring to date.
Bones will be releasing a limited number of physical, handmade vinyl copies of "Here Now" 7 inch records in February 2012, and a run of Buzzards Boy LPs the following May. Tours are slated for the Spring that'll see him play both with a band and on his own where he chops up his own music, lets us in on the process and basically hosts an off kilter dance party. There's also talk of another record in the can too. Considering his propensity for change and changing medias, it'll be interesting to watch this story play out.
On Buzzards Boy, Sean and his bandmates hooked up with a producer for the first time. Shane Stoneback was sought out for his uncanny recording methods (oil cans, toys amps) and his enthusiasm for the demos he was absorbing between his other name-brand projects (Fucked Up, Sleigh Bells, Cults) The sessions were brief and at some point during the week Bones resolved to taking on the rest of the project alone. Traveling between rehearsal spaces, bedrooms and eventually to the West Coast, he built an awesome second record from the foundation laid through this partnership.
The island he's trawling this time is darker and more lush. Tracks are swathed in reverby surf guitars and loose percussion. Its easy to imagine hearing this album out doors, at night. A full listen reveals a wide range of influences digested into something wholly Bones' own. "Tell Me Again" is a folky harmonium piece played over what sounds like the Miami Sound Machine. "Four Dub" explores open space and urgency. The sublime "Black Gold" starts with a scruffy hip hop beat until giving way to another one of those swoony boy-girl ballads that he's good at.
At the heart of Buzzards Boy is a romantic young man, worried about the world and checking himself for imagined damage. Somewhere in the storm came a renewed sense of purpose. Fittingly, the exuberant lead single "Here Now" was written last. Backed by Fool's Gold's Garrett Ray and Lewis Pesacov, the song brims with energy as an ecstatic Bones proclaims, "I'm here now, hold it down!." Whether he's here to remind himself or the rest of us doesn't matter - he track is his most confident and inspiring to date.
Bones will be releasing a limited number of physical, handmade vinyl copies of "Here Now" 7 inch records in February 2012, and a run of Buzzards Boy LPs the following May. Tours are slated for the Spring that'll see him play both with a band and on his own where he chops up his own music, lets us in on the process and basically hosts an off kilter dance party. There's also talk of another record in the can too. Considering his propensity for change and changing medias, it'll be interesting to watch this story play out.
Venue Information:
Music Hall of Williamsburg
66 North 6th St
Brooklyn, NY, 11211
http://www.musichallofwilliamsburg.com/
Music Hall of Williamsburg
66 North 6th St
Brooklyn, NY, 11211
http://www.musichallofwilliamsburg.com/





